Attention Disorder — Show Format

The Concept

A show that never plays
from the same place twice.

Host

Luke ThompsonLuke Da Spook30 years NZ music industryMusic Over Matter

Identity

The hinge of the week — we look back at what just happened and forward at what's coming. Reflective, celebratory, anticipatory. The week in review with a soundtrack.

Broadcast

TwitchXMixcloudSoundCloudSimultaneous

Format

Standing alwaysMoving · groovingNo fixed end time

Library

50,000 digital tracks4,000–5,000 vinylMix and match formats

First timezone

Sunday morning Auckland = Saturday night Americas = Sunday morning Europe and Asia-Pacific. Content reaches global markets at exactly the right moment before anyone else goes live.

Ads

None. Zero. Not one. Ever.

3–6Hours per show

4+Guests minimum

3×Audience roll calls

0Ads. Ever.

Format Options

Two formats.
One or both.

Attention Disorder runs as a Friday and Sunday residency, or as a Sunday-only show. Either format works. The Sunday show is the anchor — Friday is the warm-up that dials the room and builds the week.

FRI

Option — Friday daytime

Music + One Guest

Minimum 3–4 hours

End-of-week energy Music and one in-room guest. Luke on the decks. One wireless mic. Standing format. The camera captures the room as it is — real people, real energy, end of the working week. Low production overhead. High broadcast value. Serves as format rehearsal before Sunday and builds a separate Friday audience.

Works as a standalone music-only broadcast if no guest is confirmed. The DJ library — 50,000 digital tracks and 4,000–5,000 vinyl — gives every Friday set a distinct identity.

1 mic 1 camera minimum Music + conversation Standalone viable

SUN

Core format — Sunday

The Full Show

Minimum 4 hours · no fixed end

The hinge of the week Full Attention Disorder format. Minimum 4 guests — 2 in-room, 2 via global stream. Three DJ sets. Three audience roll calls. Top 20 Auckland Memories segment with Manuel Bundy. Global progressive music segment. Remote stream guests from London, Paris, New York, Croatia, Tulum confirmed 48hrs prior via Cleanfeed.

Sunday morning crowd — not boozed, engaged, present. The ambient energy of wherever the show is playing is part of the broadcast. That authenticity is the point.

3 mics Multi-camera Global guests Full run sheet Primary format

Mode 1 — Music Only

Just The Decks

Luke · decks · one camera · stream liveMinimum setup. Works anywhere. Builds audience. Used for Thursday or Friday warm-up sessions. The DJ library does the work — no two sets the same.

Mode 2 — Music + Guest

In-Room Conversation

Luke · one in-room guest · two mics · standingThe guest stands with Luke. Wireless mics. Camera captures both. The room and the conversation are both on screen. Friday format or early Sunday format.

Mode 3 — Full Show

Attention Disorder

4+ guests · global stream · roll calls · full run sheetThree mic positions. Multi-camera. Cleanfeed for remote guests. Producer running chat and roll calls. The complete format. Sunday primary.

Sunday Run Sheet

The week in review.
No fixed end time.

The Sunday format is structured but not rigid. The clock below is a guide — the show goes where it goes. Roll call moments are non-negotiable. Everything else flexes.

0:00	Three-song intro cut Pre-selected by Luke for the week. Sets tone before a word is spoken.	Music
0:08	Show open — Luke live "Yoyoyoyoyo! Coming at you live from [location]. Sunday — we're looking back at the week just gone and forward at the week coming up. No ads. Twitch go. X go. Hit subscribe."	Host
0:10	Roll call #1 — who's in Name. City. What was your week? Gets the chat alive immediately. Producer on separate screen throughout — never Luke.	Roll call
0:15	First DJ set — 30–45 mins Open floor. Luke moving between decks and the room. Gimbal follows the energy.	Music
1:00	Top 20 Auckland Memories — with Manuel Bundy Chart segment. Week in review, Auckland flavour. Luke and Manny standing. Conversation-led.	Segment
1:30	Guest 1 — in-room Deep conversation. No time limit. Standing. Goes where it goes. The room listens.	Guest
2:00	Roll call #2 — reaction + direction "What landed? Who do you want next?" Producer pre-pulls 3–4 best responses. Luke reads live.	Roll call
2:15	Mid-show DJ set — 20–30 mins Transition. Reset the energy. Full movement.	Music
2:45	Guest 2 — in-room or stream Second guest. Different energy to Guest 1. Their week. Their week ahead.	Guest
3:30	Global progressive segment — the week in music worldwide What dropped this week globally. Underground producers. Festival tunes. The week in sound.	Music
4:00	Roll call #3 — the week ahead + global guests "What are you taking into next week? Where do you want us?" Global stream guests live via Cleanfeed — London, Paris, NY, Croatia, Tulum. Their week. Their week coming up. NZ On Air CTA: "Hit follow — this is how we stay on air."	Roll call
4:30	Global stream guest interviews Live via Cleanfeed + StreamYard. Rotating markets. The world joins the room.	Global
5:00	Closing DJ set Full energy. Goes when it goes. Monthly 6-hour show extends here.	Music
5:50	Sign off Next location. Next week. Platforms. Follow. Broadcast ends.	Host

Roll call protocol

Producer monitors Twitch chat and X on a dedicated screen throughout — never Luke. For each roll call, producer pre-pulls 3–4 best responses and queues for Luke to read live. Roll call 3 is also the NZ On Air eligibility CTA — framed as energy, not a pitch. Three roll calls per show, every ~90 minutes.

Interview Setup

Three ways to bring
a guest into the show.

Every guest type has a defined technical setup. The producer confirms format and tech requirements with each guest 48hrs before air. Nothing is improvised on the day.

Format 1

In-Room Guest

Standing at the mic. In the room. On camera. Guest is physically present. Wireless mic clipped or on a boom stand at standing height. Camera cluster covers both Luke and guest from centre. The ambient room energy — crowd, sound, movement — is part of the broadcast.

Shure SM7dB or wireless Rode PRO on boom stand — standing height

Camera cluster covers position — no separate camera required

Producer briefs guest on format before air — standing, mic position, no time limit

RØDECaster Pro II handles mic channel — APHEX processing applied

Format 2

Remote Stream Guest

Live on screen. Broadcast-quality audio. Zero latency. Guest joins via Cleanfeed — browser-based, studio-quality, no download required. Audio comes into RØDECaster as a clean channel. Video via StreamYard — guest appears in a dedicated frame on screen alongside Luke. Confirmed 48hrs prior. Tech check 30 minutes before air.

Cleanfeed — broadcast-quality audio, free tier, browser link sent to guest

StreamYard — pulls Cleanfeed audio + webcam into OBS as on-screen frame

32" monitor on stand shows remote guest in room — fourth position

Producer runs pre-show tech check — audio levels, video framing, connection test

Markets: London · Paris · New York · Croatia · Tulum · rotating

Format 3

Phone-In / Audio Only

Voice only. Used for unplanned moments or guests without video. Cleanfeed audio-only link. No video frame — guest audio mixed cleanly into the show. Used for impromptu call-ins, live audience reactions from remote locations, or guests who can't commit to video. Lower setup overhead, still broadcast quality.

Cleanfeed audio-only — same quality, no video requirement

Producer brings guest in as a named audio source in OBS

Lower third names the guest — audio only flagged on screen

Works for live audience roll calls from specific locations

Audio signal chain — all guest types

SourceSM7dB / Wireless / Cleanfeed

HubRØDECaster Pro II

ProcessingAPHEX + DBX 286s

BroadcastOmnia.11 DSP

MeteringYoulean LUFS

OutputOBS → Twitch + X

All sources normalised to −14 LUFS for Twitch and X platform standards. RØDECaster APHEX processing handles voice compression and de-essing. Omnia.11 DSP provides broadcast-grade multiband compression on master output.

Technical Specification

World-class kit.
Location independent.

The full broadcast rig travels with the show. Off-grid capable. 5G cellular bonded. Sets up in 90 minutes. Packs down in 60. The same technical standard at every location.

DJ Rig

CDJ-3000X × 2AlphaTheta flagship players. Club standard — Fabric, Boiler Room. Wi-Fi, NFC, cloud library, 10.1" touchscreen. 32-bit/96kHz ESS DAC.

DJM-A94-channel mixer. Dual USB-C. 14 Beat FX. Phantom power mic input. Built-in soundcard for stream output.

Magma flight casesTSA locks, foam interior. Two cases — one per CDJ pair, one for mixer. Flight-ready.

Broadcast Audio

Shure SM7dB × 2Host mic + guest mic. Built-in preamp (+28dB). Broadcast standard. XLR to RØDECaster.

Rode Wireless PROClip-on wireless for standing/moving format. Follows the body. Essential for the movement identity of the show.

RØDECaster Pro IICentral hub. 64 SMART pads for samples and stings. 4 XLR inputs. Dual USB. APHEX studio processing onboard.

Omnia.11 DSPBroadcast audio processor. What radio stations run on master output. Multiband compression, AGC, loudness maximisation.

DBX 286sHardware channel strip on voice chain. Compressor, gate, de-esser, enhancer.

Cameras + Stream

Sony ZV-E10 IIPrimary wide camera. Continuous AF. Clean HDMI out. No recording limit.

DJI RS3 MiniGimbal for second camera. Follows Luke between decks and floor. Hero camera for the movement format.

iPhone (existing)Third angle. Handheld by runner. Close-ups, crowd energy, behind the scenes.

OBS StudioFree. Multi-camera switching. Simultaneous stream to Twitch + X. All graphics, lower thirds, scenes, ticker.

StreamYardRemote guest frames into OBS. Cleanfeed audio + webcam on screen as named guest frame.

Elgato HD60 XHDMI capture card — camera into Mac via USB-C for OBS.

Location + Power

EcoFlow Delta ProOff-grid power station. Runs full rig for a 3-hour show. Non-negotiable for location shoots outside fixed venues.

Peplink MAX BR1 Pro 5GCellular bonding router. Bonds multiple SIMs into one stable connection. Prevents stream drop at remote locations.

QSC K12.2 × 2Powered PA speakers. Club-quality. DJ monitor + room fill at any location.

Genelec 8030C pairStudio reference monitors. Accurate playback for 3–6 hour shows. Ear fatigue management.

Mutec MC-3+Word clock sync across CDJs, RØDECaster, and computer. Eliminates jitter at broadcast quality.

Set geometry — identical at every location

12 o'clock — Luke

Host + DJ Position

Closest to DJ rig. Swivels between decks and floor freely mid-show. Primary standing position. Wireless mic. Camera cluster covers from centre.

7–8 o'clock and 4–5 o'clock

Guest Positions

Two in-room guest standing positions. Wireless mic at each. Camera sight lines from centre cluster. Natural triangle geometry — no table, no chairs.

Centre

Camera Cluster

Camera cluster at chest height covers all three positions without moving. Operator switches in OBS from producer station. Gimbal operator roams freely around the standing triangle.

Content Distribution

The show lives all week.
Not just on air.

Weekly content cycle — every week

Mon – Tue

Recap clips3–5 best moments cut and captioned from Sunday. Guest highlights, music moments, crowd energy, roll call reactions. Distributed to Instagram, TikTok, X, YouTube Shorts.

Wed – Thu

Weekly tease"This week we have... who do you want to see? What songs do you want us to play?" Audience polls, guest previews, track requests. Builds Sunday audience all week.

Fri

Friday show + Sunday announcementFriday live stream, then Sunday preview drops same evening. "Tomorrow. 10am. Be there."

Live

Twitch + X

Simultaneous live stream. Twitch for chat and community. X for discovery and clip sharing. OBS handles both with zero additional overhead.